I don't know if he's gotten sloppier or just more verbose, but do find his later writings to be largely plodding and much less interesting than his earlier works. He pretty much lost me with The Baroque Cycle. Those books were a chore.

But I think that has to do with the clear change in his writing style, which has diverged from my personal tastes. So it's not a judgement call on his writing either way -- we've just grown apart.

> He pretty much lost me with The Baroque Cycle. Those books were a chore.

I wouldn't call those "later writings," he's written quite a few excellent (and better) books since. Anathem, Seveneves, and Fall; or, Dodge in Hell were excellent. Termination Shock was a quick read.

I've since gone back and re-read Cryptonomicon. I don't know know if I'll redo the whole Baroque cycle, (Because it was so long,) but I do have fond memories. I suspect it's the kind of book that's better the 2nd time through.

BTW, Fall; or, Dodge in Hell ends the Baroque Cycle. Enoch Root is in that book and we figure out what he really is.

I could not get through the Baroque Cycle, and hated Fall. The only other Stephenson book I've not made it through is Anathem, which I know is a heretical position to take, but I can't help it.

I wouldn't frame it as early versus later works.

I think the Baroque Cycle was an outlier. It was long, and boring, and plodded.

Early works were good, later works were good. There wasn't a phase change and later works went downhill starting with Baroque.

Not everyone can bat a thousand.