>Buying a painting allows me to hang it on the wall and admire it, where is where I derive the value of owning that painting.
That's true, but why do people spend millions on an original [famous artist] painting? If all they want to do is admire the painting, surely a high quality replica (ie. the type that can fool the naked eye) would be more than sufficient?
To me—and I'm not at all a high art person, so take this with a pinch of salt—I think the value in owning an original painting would be knowing that it is the original, crafted first hand by the artist, rather than the notion that it is mine and not someone else's (which to me continues to be a worthless concept in isolation). If The Lourve said I could keep the Mona Lisa above my mantelpiece forever more, I would not be looking to place bids on it.
For digital art that obviously doesn't apply as the concept of "the original" artefact is borderline meaningless, however that leads neatly onto the other thing I dislike about NFTs, which is the introduction of artificial scarcity in a medium not burdened by it.
“People” in your comment being an extremely small class of wealthy individuals whom have the luxury of trading art. Most people would be totally fine purchasing a high quality replica, as that is their only option.
That's true, but why do people spend millions on an original [famous artist] painting? If all they want to do is admire the painting, surely a high quality replica (ie. the type that can fool the naked eye) would be more than sufficient?